Sunday 24 July 2011

Pictures from planes

Every time I travel by plane, I want to take pictures of the landscape passing gently but quickly underneath. I have only very occasionally managed to get anything useful out of my attempts, though. It's a tough environment, after all: Constant shaking, limited viewport, thick crappy slabs of transparent plastic, lots of UV light, extra haze, and typically bright light. Our eyes adjust, but the camera struggles.

Here's an example of a picture that works out, though more in an abstract manner than a direct depiction. It took some drastic manipulation to make it useful, so I'll go a bit more into details:


The first version is how it came out of the camera; had I been the type to delete on the camera, it would have gone.


The second one is with auto white balance and auto toning. Not much better, but you can start to see things.


The third and final one is with manual adjustments up the wazoo. For the Lightroom users: Exposure -1.2, Blacks +100, Brightness +58, Contrast +100, Clarity +77, Vibrance +45, Strong contrast tone curve with Highlights +49, Lights -11, Darks -100, Shadows -15, and finally a graduated filter over most of it with Brightness -21, Contrast 13, Saturation -8, Clarity 51.

This is a massive adjustment that would normally ruin a photo, but for these pictures, it's the only way to save them. And it's only because it's shot in raw that there is so much to save. To determine which of the shots I'd taken were any good, I applied the more extreme of these settings to all the shots, and got surprisingly many I liked.

Fleeting light

Photography has rightfully been called "painting with light". In most cases, the light plays the role of oils on a canvas, but sometimes it comes center stage (to mix a metaphor) and really make everything else the frame. Those instances, alas, are few and fleeting, partly because of the differences between how the eyes and the camera sees the world.

"Bush at Sunset" ©2010 Lars Clausen
Buy this photo at Redbubble.com

I remember when taking this picture outside Odense, Denmark that I felt like I'd missed the good sunset and was just taking photos because, well, I had little else to do out there. Only when I came back and saw it on the screen did I realize how the light had played out beautifully. I guess if I went out much more often and looked at the pictures immediately after, I would eventually get to recognize what light actually makes for good pictures.

Friday 1 July 2011

Rocket of flowers

Flowers are so obvious a photographic target that they are difficult to make interesting photos of. These flowers stood at the corner of a building, with the sun just barely peeking around the corner. I had to twist into a very specific position to ensure I got the translucency without having the sun itself hitting the lens and destroying the contrast. It turned out nicely.